The home gets all the glory, the walls invisible foundation. Inside, I learned how to desire. I learned how to dance. I learned and unlearned shame. I saw the walls reflect back a fractal soul and I mustered up the courage to cry. The body remembers what the mind neglects.
A repeated gesture becomes a language of care, an articulation of touch as a labor of love. As a queer Asian-American, my work is interested in connecting my own diasporic histories within the land, within the home, within the body. Shaped by borders, migration, and the inheritance of shared experience; I am interested in interrogating the structures that determine which narratives are preserved, inserting myself as an active participant in mechanisms that safeguard my own histories. I ask how we might listen more intently, how we might remember ourselves into wholeness. Beyond walls, beyond nation, beyond the lines we’ve drawn.
Clay is elemental, the earth is flesh, bodies are vessels archiving time on this Earth.
In a century, our bodies will be no more, but our archives may persist.
Sheldon Wong earned his BA from The George Washington University and an MFA from The University of Hawai’i at Mānoa – excellent institutions for which he is still paying student loans. His work has been exhibited nationally and across Hawai’i, including The Artists of Hawai’i Biennial where he was awarded the Second Place Award of Excellence. Sheldon has also participated in artist residencies at ACRE Projects, Teton ArtLab, Molokai Arts Center, and will be in residence at the Houston Center for Contemporary Craft during the 2026-27 cycle. During the day, Sheldon is hard at work looking for his next film to watch and at night he works in his studio when most people are dreaming.