The home gets all the glory, the walls invisible foundation. Inside, I learned how to desire. I learned how to dance. I learned and unlearned shame. I saw the walls reflect back a fractal soul and I mustered up the courage to cry. The body remembers what the mind neglects.

A repeated gesture becomes a language of care, an articulation of touch as a labor of love. As a queer Asian-American, my work is interested in connecting my own diasporic histories within the land, within the home, within the body. Shaped by borders, migration, and the inheritance of shared experience; I am interested in interrogating the structures that determine which narratives are preserved, inserting myself as an active participant in mechanisms that safeguard my own histories. I ask how we might listen more intently, how we might remember ourselves into wholeness. Beyond walls, beyond nation, beyond the lines we’ve drawn.

Clay is elemental, the earth is flesh, bodies are vessels archiving time on this Earth.

In a century, our bodies will be no more, but our archives may persist. 

Sheldon Wong earned his BA from George Washington University and is currently working towards an MFA with an emphasis in Ceramics from The University of Hawai’i at Mānoa. His work has been exhibited nationally including Artists of Hawai’i, Downtown Arts Center, Honolulu, HI (2024) where he was awarded the Award of Excellence (Second Place), Fiber Hawai’i, Downtown Arts Center, Honolulu, HI (2024), Color Pop, Saratoga Clay Arts Center, Schuylerville, NY (2024), On These Grounds, Holomua Farms, Waialua, HI (2023). He is the recent recipient of the H. John Heide Fellowship in Art (2024) and John Young Scholarship in the Arts (2024). Sheldon has also participated in artist residencies at Teton ArtLab in Jackson, Wyoming and Molokai Arts Center in Molokai, Hawai’i.